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Valeryia is a multidisciplinary artist from Mogilev, Belarus, currently residing in Quebec, Canada.

Her practice in video art and mixed media centers on manipulating narratives that merge abstraction with familiarity, exploring themes of memory, perception, and the shifting boundaries of reality.

Mindscapes.

2023

The notion of escapism refers to the proclivity of individuals to migrate from the customary challenges of life into the comforting, yet deceptive, embrace of fantasy. Escapism, at its core, acknowledges life's inherent absurdity where existence pirouettes on the edge of meaning and meaninglessness -
a perpetual dance of dualities.


Through a multidimensional exploration of sound, image, and narrative, this film maps out a journey across the transformative phases of escapism — The Departure, The Immersion, and The Return. Each phase serves as a lens to explore the realms of the reality and imagination: does it provide solace in a world of absurdity? Or does it merely suspend the inevitable confrontation with self and the reality of our existence?

Distributed by Vidéographe

Collaborative project with Malte Leander 

Corroded.

2023

Corroded is a two-part meditation on erosion—of the body, of matter, of the fragile equilibrium between beings and their environments. Created during a two-month residency at Buinho Creative Hub in Portugal, the project presents a metal sculpture and an audio-visual performance.

Live audio-visual performance, using sound and images collected locally

At its core, Corroded examines how incompatibility fosters slow violence.

Metal meets water; spine meets gravity; bodies meet the environments that undo them. It is about how we continue to engage, to live, to interact even as systems—organic and constructed—bend, crack, and yield.

It is an elegy, not for death, but for the persistent beauty found in slow, inevitable transformation.

Metal sculpture replicating my spine, altered by scoliosis.
The structure was manually corroded using chemical processes to mirror the slow decay of the body over time.

Non-binary is a travel through signal waves and pixel dimensions.  


It is as metaphorical as it is literal.
 

It is about getting hypnotized by consumerism behavior and an attempt to escape the influence of noise and digital hungriness.

 

It is about trying and failing and, ultimately, a journey toward harmony.

This project has been heavily inspired by the works of Ryoji Ikeda and his explorations of the reality of nature on an atomic scale.

Music: Ryoji Ikeda Data Matrix

Non-binary.

2021

“In Different Trains (1988), Steve Reich presents a semi-autobiographical account of the Holocaust that electronically mixes his memories of being a Jewish child in America in the 1940s with those of child survivors of the Holocaust who later recorded their testimonies.
 

Drawing inspiration from Reich's composition, this project aims to explore personal memories of the long train journeys between Belarus and Ukraine during childhood and the testimonies of friends’ experiences during the Russian invasion in 2022.

While the first part of the story ‘Trains before the war’ translates into a predictable, peaceful journey to a known destination, the second part “During the war’ demonstrates unpredictability, urgency, and the overall chaos of the experience.

Music: Steve Reich Different Trains
Project in progress
 

Trains and Lines.
 

2022

Music Video.

2019-2023

To those who are watching.

2020

A short story, written for Mosaïque journal to exchange testimonies during the lock-down
 

 

Since I can remember I have always been a time traveler. A courageous adventurer going through time and space of imaginary worlds. I have visited pirates’ bays and flown with fairies, fought for France while talking to whales about life and their wellbeing. 

Now, when I am older, my dreams tend to be much more about future possibilities within a human reach. I had to lay off my shabby time travel suit for later times and join real life.

You know how they say, “time flies when you are older”? I am not sure what the precise age is for being considered older, but I can confirm that it flies.

I felt a rush. I didn’t know what I was rushing for, but I felt like I had to follow. As if someone pressed a speed button, and it was no longer the magic of my travel suit.

So, I grew my legs to walk faster, becoming a disproportionate body of a somewhat adult persona, conquering towns and people with my giant feet. 

 

 

It has been one month since I have been in quarantine. To be precise, it has been thirty-three days since I have been existing within a 500m radius. Thirty-three days since time has stopped. Suddenly, no noise, no people rushing to metro stations, no overly busy coffee shops, no construction. Time has stopped, and it has become alarmingly quiet. Life became background noise and because you can’t hear, you open your eyes and start watching. So, I am observing patiently, watching the time and space transforming themselves and me.

 

 

My quarantine is filled with a constant flow of chaotic emotions, somewhere between frustration and contentment.

Frustration for our imposed beliefs and rights from the authorities. The lies that we were collectively forced to embrace in order to keep society in line. The misinformation and propaganda they fill our heads with by promising they know better. 

In a time like this, when the air smells like fear, people tend to turn to the authority for support and help, but what do you do when you can't trust those who vow to protect?


I was born in Belarus, a country of green lands and deep rivers, occasional cranes, brave soldiers, resistance, and potatoes.

Belarus, among many other things, is encouraging a rise of a strong nation. A nation of those brave in heart to disobey their feelings, desires, or wants—those who can peel off the skin of useless human flesh and become the one true superior man: a machine-man who advances economic progress.

 

There is a law in Belarus called a social parasite. It was created to penalize unemployment, meaning that “citizens who are unemployed for a certain time must reimburse the government for its expenses and pay fines to support government spending.”

With an average salary in Belarus of 114$ a month, people are already struggling to survive and have to juggle multiple jobs at a time. Most are scared to go into quarantine, afraid to lose their jobs and not be able to feed their families, while those who are in quarantine are seen as nothing but free-eaters who take advantage of government goods when the economy is crashing and, thus, must pay.

 

And, thus, we must work, 

because the always-hungry economy does not rest. 

We must produce 

and we must consume. 

We are parasites, just not social.

 

 

My contentment comes from beliefs. Beliefs that the world will turn into a better place, and that people re-discover compassion and hope. 

This situation, as selfish as it may be, gives me a place to breathe and be reborn. My feet felt tired of the giant legs I grew to catch up with something unattainable, so now I'm laying still and traveling in my dreams again.

I found myself feeling more grounded, being grateful for the small things, and developing some patience I’ve been lacking so much in this fast-paced environment. With my body becoming still and legless, I was able to observe more how I exist within my own space, changing the focus from the outside world and directing it towards an inside one. Ironically, by living smaller, I was able to expand the way I look at the world and how I interact with others. Sometimes, the limit of your room can become the biggest adventure of your life.

 

 

So, travel with me, my friend,

And I will show you what is behind the foggy scanners and Silicon Valley. 

Beauty surrounds us, yet the little people hide it well.

But if you follow me, 

with just a bit of hope,

we will find that magical place 

[r] evolution.

2020

a collaborative project

The end. 

© 2020 by Valeryia Naboikina. Proudly created with Wix.com

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